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Behind Copp's Hill
Do
you ever get tired of getting advice? One of the hard things about being a kid is that grown people,
especially parents, seem to think they need to make suggestions about
everything, from how a person should dress to the best way to eat
spaghetti. Most kids I know
can’t wait to grow up so they don’t have to hear all that advice any
more.
Guess
what? My fiftieth birthday
has come and gone, I’m a grandmother, and my parents are still giving
me advice about all sorts of things, including suggestions about what
might make a good story to write next.
Mostly, it’s my dad: “You
really should write about . . .” or “I had a great idea . . .”
Unfortunately, while his ideas might make good stories for him to
write about, most of the time they don’t seem to fit my imagination.
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Under
Copp’s Hill is an exception. He’d been watching the Antiques
Road Show on TV and saw a story about the Saturday Evening Girls, a
group of young women who lived in Boston’s North End in the early
1900s. They attended
classes at a settlement house and worked in a pottery, producing
beautiful, hand-painted plates and vases.
That captured my imagination and I began to do some research.
The more I learned about the house at 18 Hull Street and the
girls and women who gathered there, the more I wanted to write about
them.
It helped that I’d lived in Boston
for five years and loved the city.
It also helped that we have family in Boston so I could combine a
research trip with a fun visit. The
biggest boost for me came when I made contact with a researcher who had
studied the settlement house and pottery, also known as the Paul Revere
Pottery because of its location, just down the street from the Old North
Church. She kindly shared her research and the advance text of a book
she was writing for adults.
The city of Boston also helped me
write the story. As I often
do when planning a book, I explored the neighborhood with my camera
slung about my neck, taking photos of the places that might appear in
the story. As I walked up Salem Street, snapping pictures, the wonderful
smells from the many Italian restaurants made my stomach growl.
When I reached Hull street and turned down, looking for number
eighteen, I discovered a tall, four-story redbrick house.
To fit more of the building in the photograph, I stepped
backwards across the narrow street.
Imagine my surprise when I looked
over my shoulder and saw a graveyard.
Here I was, writing a mystery, and the house where most of the
action would take place sat across the street from a graveyard!
And not just any graveyard, but the historic Copp’s Hill
Burying Ground, where remains of many colonial settlers lie under
old-fashioned tombstones. One
of the stones (above) was used for target practice by British soldiers during
the American Revolution. You
can put your fingers into the bullet holes!
Other true and interesting parts of the story came from the real
history and people of Boston, including the nastiest and most creepy
place in the book. I
won’t tell you what that is, but when you get to that spot, you’ll
know it’s a real place, now boarded up.
And what the girls find there is a real object, found by some
boys who lived in the neighborhood sixty years ago.
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What about Innie? Where did she come from?
Because I’m not Italian, I had to do lots of research about
Italian culture, food, family life and names. A friend shared names from her family and when she
said Innocenza aloud I knew I’d found my main character.
Imagine how hard it must be to have such
name, which would translate into English as Innocent. Maybe I’m just a rebellious person, but if my family gave
me a name like that, I’d feel obliged to act up and cause trouble.
So Innie’s personality began to grow in my mind and the more
she misbehaved, the more I liked her.
Matla too got her name from a
friend, whose Russian grandmother came to America at about the same
time as Matla did in the story.
I learned about Russian Jewish immigrants from speaking with
their children and grand-
children, including a Boston woman whose mother
was a Saturday Evening Girl. As
she spoke about her mother’s life and friendships she had made in
the settlement house, I understood the heart of the book I
hoped to write. These
girls, newcomers, made friends in spite
of differences in language and traditions and the objections of their
strict fathers and older brothers.
What spirit! And
what a legacy they leave for all of us who follow.
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